Live Sound and Event Production's topics - tribe.net

Freelancer needed 4/18/2008, 4/20/2008, Southern VA Area

2008-04-08T18:59:46Z

The company I work for is looking for a freelancer to work two four hour calls in Goshen, VA .

Friday 04/18/2008 11:00am - 3:00pm
Sunday 04/20/2008 11:30am - 3:30pm

It's a pretty cake gig. We just need one person to help our lead to set up a small lighting rig. The rig will include a stage wash and some technobeams on a truss supported with crank stands.

Message me privately if you're interested. I'll need a resume.

posted in Live Sound and Event Production - 0 replies

peavey kosmos vs. the kosmos v2

2008-02-06T04:46:35Z

i use the peavey kosmos at a nightclub i work at, and im thinking about getting one. what is the difference with the origional kosmos and the kosmos v2? if they overheat does it effect the sound quality?

posted in Live Sound and Event Production - 2 replies

digital x overs / processors

2007-12-25T09:00:37Z

what do you like and why?

i'm still semi bent on the urei 525 xovers... but am interested in what's good in this modern age

posted in Live Sound and Event Production - 1 reply

Equipment rental in the south bay

2007-11-16T22:09:38Z

I'm trying to find a decent place to rent some dj equipment for a costuming convention in Santa Clara over January 25-27. Actually only need it for Friday, Saturday, Sunday of that week.

Looking for something along the lines of: 2 Technics 1200, 2 CDJ 800/1000, 1 DJM 600, 2 monitors.

Have a budget of about $750.

posted in Live Sound and Event Production - 9 replies

ADAMSON SPEKTRIX RIG!!!

2007-11-13T05:57:39Z

So I was wondering what you guys in this forum think of the adamson spektrix speaker systems. The sound company I work for is purchasing a unit which will consist of 12 tops (6 per side) and 4 subs (2 per side). Will be flying this unit at most shows of course. The tops have 8.5 inch drivers in them and the subs have 21's. The wattage of the power amps is enormous. We got to hear them in action once so far as we used them when we worked with Michelle Branch and the Wreckers and were gonna hear them a second time with Rusted Root this weekend. So for any of you guys out there that have used adamson let me know your thoughts.

thanks, Dan Spencer
(sound engineer)

posted in Live Sound and Event Production - 1 reply

bridging subs mono mode

2007-09-27T15:42:57Z

i am new to qsc products, i got an rmx 2450. well, youll probably gonna think im stupid but here it goes any help is very appreciated. i have 2 cerwin vega lr36 subs 8ohm. if i bridge both subs (8ohms each) does the amp run mono at 4 ohms? do you think it could run both?

posted in Live Sound and Event Production - 6 replies

What cabs with 1801z sub?

2007-09-20T17:44:24Z

I am thinking of upgrading my passive JBL cabs to active ones. I currently have 1 mackie 1801z sub and will probably eventually get a second one.
Any suggestions for new active cabs? They are used primarily for small to medium size electronic music events both indoor and out.

I saw someone selling a pair of used mackie 1521. I am also considering the QSC hpr1531 but they would be more expensive since new, and added shipping costs.

Thanks for the help and suggestions.

~Brian

www.circusofmind.com

posted in Live Sound and Event Production - 11 replies

Mac Audio Program For Live Theater

2007-08-12T06:50:02Z

Greetings to all. I have a project coming up where I will have 20 plus wireless on stage and a 15 piece orchestra. I need to be able to look at a screen and see who is on stage and whos mic should be on during a scene. I don't have an automated desk to work with. The music is not the problem. I want to make sure I don't open the wrong mic at the wrong time. HAHA Has anyone in the group had any experience . Mac software is preferred. Jim

posted in Live Sound and Event Production - 5 replies

Assembling a professional + affordable sound system - help!

2007-05-16T00:29:50Z

After years of just a basic amp to speaker set up, I am looking to invest with a partner in a sound system in the range of $5-10k. We're looking to put together around a 3k-6kwatt system that brings the boom, doesn't leave out the mids+highs (so many systems seem to lack mids nowdays!), and is durable. The sound system will probably be moved around 5-12 times/mo, indoor and outdoor shows, so durability is a must!

Originally we were leaning towards a turbosound/qsc set up, but after hearing the TXD series aren't the most rugged speakers, we've began to lean towards EAW for the time being.

This is the current prototype model that we're possibly looking at buying (all gear is new, most prices from guitar center).

2x LA128z Dual 18-in Subwoofer 2000w 4oms
$1400 x 2 x 8% = $3025

2 x FR153z single 15" 3way 500w 8oms
$895 x 2 x 8% = $1935

dbx DriveRack PA Processor
$499.95 x 8% = $540

Speakon cable circa $250

QSC RMX 4050HD 2-Channel 4000w 4ohm mono bridged
$1300 x 8% = $1400

QSC RMX 2450 500w at 8oms
already own

Mackie 15" active monitors
$700 x 2 x 8% = $1510

Mackie 1202vlz pro 12 channel stereo mixer
$300 x 8%= $325

This current set up comes to right around $9000

posted in Live Sound and Event Production - 15 replies

Sound system needed for July in Hood River, OR.

2007-05-16T00:23:07Z

I have a two day fest in Hood River Oregon. July 15th and 16th are the days. The sound company we had backed out at the last minute!

We need a high end rig (FOH & MON) for an outdoor crowd of approx. 500-800. The band is really picky about their FOH sound. Any help or ideas would be appreciated!

Thanks everyone!

posted in Live Sound and Event Production - 1 reply

Got A Gig ?

2007-04-29T21:52:12Z

History (partial lists)

Tour Manager/Tour coordinator (TM) (TC)
Dickey Betts (US) merch, TC, Sebastian Bach (Guns N Roses US, Canada) TM, Al Di Meola (world tour) TM, Luna Halo TM, WhiteStarr (US) TM, Honey Tribe w/ Devon Allman (US).Pedro Arevalo (US) TM, THIRTEEN (Australia, Japan, US) TM,

Producer/ Engineer
Dickey Betts (Dickey Betts & Great Southern)(Studio, Live)(Producer, Engineer, Mastering Engineer, Mix Engineer),John Lee Hooker (Studio) (Engineer), RockLine w/ Bob Coburn (Engineer),Eagle Rock Records (Studio)(Engineer) Danny Toler (Studio, Live)(Dickey Betts & Great Southern, Southern Rock All Stars)(Engineer), Brian Johnson (live) (Engineer), Jennifer & The Ventura's (Studio, Live)(Co-Producer, Engineer, Mix Engineer), THIRTEEN (studio)(Producer, Engineer, Mix Engineer), The Dolly rots (Studio, Live)(Producer, Engineer, Mix Engineer), Vassar Clements (Studio)(Engineer, Mix Engineer), Gary “US” Bonds (Studio)(Handy Blues award ’Best come Back Album Of The Year‘) (Engineer), Bo Didley (Studio)(Engineer), The Accelerators (Studio)(Engineer), Pedro Arevalo (Studio, Live)(Co-Producer, Engineer, Mix Engineer), More Or Less (Studio, Live) (Producer, Engineer, Mix Engineer), and much more.

Song Placement
Dickey Betts for Larry Clark and Howard Paar (Feature)

Studio
Suite A Recording Studios (Owner 7 years)

Front Of House
Dickey Betts , Brian Johnson , Whitestarr, Luna Halo, Sebastian Bach, More or Less, The Ventura's, Honey Tribe w/ Devon Allman, Danny Toler, The Dollyrots, Pedro Arevalo

Graphic Design
Dickey Betts (New Logo, Album graphic layout "The Collectors #1", Web Site, Stickers, Show Posters), THIRTEEN (Album Graphic Design, T-Shirts)

Event Coordinator
Give Hunger The Blues (sponsorship acquisition, FOH, Show production, Stage manager, artist relation, board member for 1 year), Jam for Jan (Jan Schneider democratic campaign, handle all entertainment, food as well as event logistics), The Price Estate (have handled all events at the Price Estate for the last 5 years)

posted in Live Sound and Event Production - 0 replies

Pro Audio Repair in Bay Area?

2007-04-26T22:12:39Z

Hello friends. Maybe somebody can help me out with some info.
I have a JBL subwoofer that is not producing any woof and I need to get it repaired. I am sure it is a simple procedure as the cone isn't blown or anything and the woofer is not very old.
Does anyone know somewhere in the bay area that does pro audio repair? I live in Marin.
Thank you for any leads, I would like my woofer to be woofin' again sometime soon.

Blessings,
~Brian

posted in Live Sound and Event Production - 2 replies

Some SoundSystem Questions

2007-04-18T17:49:11Z

Hello all you gurus of sound.

I have a questions you all might be able to help me with.

I am a DJ who also puts on small events (less than 200 people usually). I have an old system which I am planning to upgrade and wanted to know what the best next step would be.

Here is what I have:
2 JBL SF25 cabs powered by 1 QSC 1450 amp
2 JBL JRX118S subs powered by 1 QSC 2450 amp

The problem is one of my subs died and needs repair. However I have noticed that I don't feel the subs were adequate anyway and was thinking of selling off the non-broken sub and getting a pair of new subs as my first upgrade to the system (the cabs will probably come next).

If I sell the subs, then I can keep the QSC 2450 to power at least one new sub or just start from scratch and get new amps and subs.

Does anyone have any good advice on somewhat budget subs which give good power for electronic dance music.

I was looking at the dual 15 TurboSounds, the Mackie 18's, the upgraded JBLs, the EAWs.

I have about 3K I can invest, but I obviously would like to spend much less if possible.

The other option is to just spend the couple hundred dollars to fix the old sub and deal with upgrading at some later time when I have more money.

Any suggestions.

Also, a seemingly unrelated question. I have a dbx 3 way crossover. Can someone give me some advice on the crossover setting that is ideal for my setup. I am somewhat new to configuring soundsystems and I could use all the advice I can get.

Thank you so much for your time.

Much love and sounds,
~Brian

posted in Live Sound and Event Production - 12 replies

Multimeter Suggestions

2007-04-09T01:54:16Z

Hey Everyone,

The time has come for me to purchase my own multi meter. I just picked up a great, steady, LD gig and I'm going to need to make the investment. Ther are quite a few options out there and I'm not sure what to buy.

I'm looking to spend under $200, but I want one that will be reliable. A clamp would be nice, but not neccesary. Any suggestions?

posted in Live Sound and Event Production - 0 replies

Rigging

2007-04-08T18:47:21Z

Any gigs out there for this rigger??

posted in Live Sound and Event Production - 1 reply

professional opinion needed concerning Earthquake subs

2007-03-26T20:18:34Z

I just got the inside track on a smoking deal on a pair of Earthquake Afterburners. B-stock for about $600 each. So, my question is, are Earthquake subs crap? They look good on paper. Along the same thought, if I mix folded horns with the dual 18 reflex cabs I already have, do I need to time delay the dual 18s to make up for the distance of the horns? Thank you oh sound gurus.

posted in Live Sound and Event Production - 3 replies

TRX 153-44T Main System for under $10k

2007-03-25T20:01:14Z

I'm new here and joined to find out a few things about the Carvin TRX series speakers,
the TRX 153-44T package is the one my friend is looking into buying.
Its has 4 TRX 218b double 18in subs, and 4 TRX 153 mains.
I've tried to find reviews everywhere and had little to no luck.
I'm familiar with concert grade speakers and our friends asked us to help, so i am trying to help them in their research.
They will mainly use it for small clubs, parties or side stages for smaller touring bands and dj's for 100 - 800 people.
For the buck it seems like a good deal, but i thought i'd ask around and see what came out of it.. any reviews are greatly appreciated.
Thanks in advance

posted in Live Sound and Event Production - 2 replies

Stage monitor choice

2007-03-21T14:57:32Z

Hi! I'm purchasing gear for a four-member band. We do a variety of small shows -- coffee houses, house concerts, and charity gigs. Our sound requirements range from unplugged to rooms/tents of 200-300 people.

So we're equipping ourselves with 2 450W Behringer mains and a Behringer Xynyx board. We're mulling over monitors. We have an old Peavy system with 75W monitors. They are big brutes and the last time we used the system, we got some flaky behaviour out of it. I'm worried it is on its last legs.

We looked at some Yorkville 250W 12" powered speakers that are designed to double as wedges. My sense is they are, perhaps, a little large -- do we really need something that big.

Someone suggested a 100W 8" speaker (not sure the brand) that is also powered.

I'm also considering putting, say a 300W amp in our rack and getting two passive 150W speakers.

Our mix includes bass, guitar, whisltes, fiddle, and 4 vocals. Having those monitors is really quite important to us but we aren't sure the parameters that will help us make a good decision. Space is important -- we want to get all this stuff in one van. That's why we're concerned about the size of the Yorkvilles.

I'm concerned that the 8" speaker isn't going to give us particularly good sound.

Can anyone give me any advice or thoughts that might help guide me to a good decision?

Thanks!

posted in Live Sound and Event Production - 4 replies

Yes!!! I am an events junkie!!!! How do I ...

2006-12-09T06:18:12Z

So Glad to be here! I am available to help set up, tear down, market ...help promote and am inspired by all of you!!! Let me learn from you. I will be a total asset to your team!

posted in Live Sound and Event Production - 2 replies

Name that dimmer rack

2006-07-03T06:21:11Z

http://people.tribe.net/agelfandwright/photos/8e63cfb3-f8eb-41f2-8415-9c9dcd1d0929
So I have this dimmer rack (actually two of them) for a show I'm working on. I know it's by LMI (Lighting Methods Inc.) and that's about it. I'd like a manual, but I couldn't find anything by make alone, so I think I need a model number. Anyone recognize it? Each of those modules has six breakers, and the circuits support 4k each. On the patch bay on the back, each circuit has four plugs - two 'A' and two 'B.' Couldn't get it to photograph on my little cellular.

posted in Live Sound and Event Production - 1 reply

Jands Echelon 1k lighting console questions

2006-07-01T07:18:41Z

Does anyone know the about the Jands Echelon 1k lighting console? How is it different from a Hog 1000?

I understand they both use the wholehog II OS, but which one is older? Are there any nuances that are different when programming? Are there reasons why one is better than the other? What do you think they should run for used?

If anyone can help, thanks in advance

posted in Live Sound and Event Production - 1 reply

Event insurance

2006-03-17T18:24:09Z

I am busy researching event insurance right now, anyone have any recommendations?

posted in Live Sound and Event Production - 1 reply

Midas XL200 help?

2006-03-03T17:33:44Z

Anybody have a channel chart for a XL200?
I'll be mixing a band at SXSW in Austin, TX in mid March with only 20 minutes or less to mic the stage and set up the console, NO sound check, and I've never seen the XL 200 before.
The more I know about a console the easier it is to adapt .
Thanks

posted in Live Sound and Event Production - 1 reply

Bar code reader

2006-02-14T14:35:48Z

So I'd love to get to the point where I can print e-tickets with unique bar codes on them that could just be read at the door and the appropriate database tables updated. I'm hoping I can use a PC laptop and something that plugs into a USB port. Any suggestions?

-Random

posted in Live Sound and Event Production - 1 reply

New Theatre Group in Los Angeles

2006-01-31T01:34:57Z

We are a new theatre group based in Los Angeles.

Our Mission: To develop a dynamic & provocative space where energies come together to create theatre.

Our Vision: TBA

Membership: We believe that anyone who is passionate about doing theatre in an ensemble should be able to join and can remain a member if she or he has; a. Introduced themselves on the message list, b. Met with us (see calendar for meetings), and c. Put in their share of effort to achieve our goals.

We request that we all express ideas freely while respecting each other in this forum. We request that you contribute by always pursuing your passion.

Join at: http://groups.yahoo.com/group/boardsnpassion/

posted in Live Sound and Event Production - 0 replies

Video Projection for live theatre

2006-01-11T23:06:45Z

I am on-staff as a technician at a bay area theatre. Many directors want to use video projection in their shows, and I inherited the theatre's existing method for running projection during performances: straight off of Final Cut Pro into a projector. My problem is this: I find Final Cut to be a clumsy and error-prone way to run projection for shows, particularly as I turn over the running of shows to overhire board ops of varying experience and aptitude. Does anyone have an idea as to the best (perhaps standard) way of running video projection for live theatre? I thought of burning shows to a DVD with chapters as individual cues. Is this the best there is?

posted in Live Sound and Event Production - 1 reply

Subwoofer options???

2006-01-07T01:37:08Z

Right now I have a 6,200 watt PA that I use for basement raves, reggae night at a local club, and large house parties. My subs are getting a little long in the tooth, and have been run with a little too much clipping, and they're starting to complain. So, it's upgrade time. I have two cabs with two 18" openings each that have Madison Executioners in them. The boxes are solidly built, and ported, so I just want to swap out the drivers. I have QSC RMX 1450s bridged to mono, one for each box, and they're pushed as far as they can go driving these speakers, so when I upgrade, I'm gonna swap up to RMX 2450s bridged to mono. That means about 1400 watts continuous at 4ohms per cab. My question: what drivers have you used successfully and would recommend for my application? People really want me to use RCFs or Eminence, but I've never heard these drivers. Any other ideas? Thanks!

posted in Live Sound and Event Production - 6 replies

Need some suggestions

2006-01-06T08:58:21Z

Hi All,
I'm new to this tribe and I like to just say HI.
I also would like some suggestions on some intelligent lighting. This is what I need: A simple set and forget lighting system, Along the lines of a Highend Trackspot(In fact right along the lines of a Trackspot.) No more than 250 watts, scanner type(moving mirror), no need for a controller(sound to light movement), and of course inexpensive, and this is for a night club, No American DJ or Pro Audio.
The reason is the 10 Trackspots I have now are 12 years old and Highend has discontinued that line(why I don't know, great light). So the owner of the club doesn't want to fix the Trackspots do to the fact that they are now discontinued. So I need to get some new lights. I was looking at the Martin MX-10, Does anyone have any other suggestions?

posted in Live Sound and Event Production - 8 replies

Clean A.C.

2006-01-01T20:35:35Z

Hello everyone, you are the coolest nerds I know!

I wrote this for Matthew and I thought I would post it here so that, hopefully other people would offer up an opinion on getting A.C. to your equipments.

Clean AC is expensive and dangerous! It wouldnt hurt to hook up with an electrician and learn how to tie into three phase supply lines.

But the first step is learning how much power is in the outlet, and haveing lots of thick ac cable.
You can get the most from a wall outlet by running multiple power cords. Instead of plugging in a powerstrip and running amps off of that you should run one cord per amp or light. Even if you have to plug in a "cube tap". The shorter the cable run the better.

posted in Live Sound and Event Production - 0 replies

Need advice - PC or MAC

2005-12-28T19:25:12Z

I am in the market to spend about $1500.00 on a new computer - I want to use it for a music program (any rec.?)and an occasional game. New to it all but creative as hell - where do I go and what should I get. I was thinking a 1GB Dell with a dual core? 256 video card ? Like i said i am new to this.

posted in Live Sound and Event Production - 2 replies

I Need Sound Tech’s in the Bay Area

2005-10-22T05:58:48Z

Sending the word out to my Tribe Tech’s.
“Lots of work coming up”
I need on call Engineers, Stage Hands, Glamorous Loaders. For work in the bay area, small company good wages.
I’ve taught many to do sound over the last twenty years and they all leave me for bigger and better jobs, how about you.

Transportation is a must, shows have early set-up’s and late tare down’s

posted in Live Sound and Event Production - 4 replies

Techs needed for show at The COW Palace this November & December.

2005-09-24T22:46:52Z

http://sanfrancisco.tribe.net/thread/c1327bcf-6919-4fd6-9c4c-65b6f3461768?tribeid=1a5dc2b7-21ec-4e6a-a020-e70c40593b89&r=10535

posted in Live Sound and Event Production - 1 reply

Introductions!

2005-09-09T03:45:04Z

If you're new to this tribe, please reply to this message with a brief introduction of what you do, where, and what you're interested in. This way we can get to know each other and figure out what subjects we might discuss,

posted in Live Sound and Event Production - 28 replies

multi colored laser lightshow/lighting animated for concerts/clubs/special events/motion picture/film set design/effects and much more

2005-09-02T05:42:34Z

10 years exp. all types of animated lighting/all top of the line equipment/laser lightshows any color ranges from 1watt to 40watts very hot beams very bright/searchlights for sky shows/we do it all for any type of events /also motion picture/film set design and set up/effects for film white light idt products laser shows that are in the sky for outdoor must be requested 2 months pryer to event for faa approval and fda reports indoor have less regulations than outdoor we can provide equipment for events up to 60 thousand persons or we can just do smaller one depends on you needs we have the best deals for you/concerts/club's/special events/fair grounds/sporting events as well/any event anywhere we are always on time any our equipment is always brand new not over used plenty of stock rotation/ tribal existance production's corp. tribalexistance.com tribalexistance@hotmail.com or marcus@tribalexistance.com also call (707)-484-8757 for price quote

posted in Live Sound and Event Production - 0 replies

Venue design

2005-08-25T06:14:05Z

We're working on an entertainment development in Detroit and would appreciate your feedback. The facility will seat approximately 500 people and will be designed for an intimate evening with a national act that our target audience usually can only see at a 20,000 seat arena.

Question
What facilities (stage, backstage amenities, sound, lighting, personal, etc.) and financial arrangements would be required in order to add a stop at our venue for a national act that is touring?

posted in Live Sound and Event Production - 5 replies

ATTENTION Sound Techs Needed Immediately for Philly gigs

2005-06-06T18:08:53Z

We have an immediate need for Sound Technicians with road experience. Call 267-446-3900 or 267-446-3901 Tell them Alan Sent you.

posted in Live Sound and Event Production - 0 replies

Software For Light Design

2005-06-03T00:19:40Z

Hi everyone. I play lead guitar in a cover band called Phat Bastard (www.getphat.com) based out of Phoenix, Az. I have been painfully putting together a light show for us and we play different size bars, so we need some flexibility. Does anyone know of a software package that shows you lights as you place them (around drums, stage, etc) and that would give you some template ideas or something like that? Like a lighting theme or similiar?

Most of the software packages that I have found either do one of two things. (1) - Design the light show for programattic reasons (to hook up with DMX controllers and run the show). or (2) - Design light show with 3d rendering or information of the sort.

I really am not looking for either one of these. I just would like to be able to put something together for layout or as if you were looking towards the stage. Almost like a Visio template if you will.

Anyways, I'm not sure that I'm explaining this correctly, but any help would be greatly appreciated.

Thanx, Bruce

posted in Live Sound and Event Production - 7 replies

Rigging?

2005-06-03T00:11:53Z

I've been looking at various things on the Internet and books about learning the art and science of rigging.

What I need now are addresses for stores and shops in the bay area (preferably close to San Francisco) to purchase wire rope, spansets, and other pieces of rigging hardware (Home Despot doesn't sell this sort of thing.

Anyone?

Oh, and a listing of theater supply companies in the Bay Area would be a nice part of this tribe as well.

posted in Live Sound and Event Production - 9 replies

Burning Man

2005-04-14T20:00:13Z

Burning Man in search…

Burning Man, the Black Rock Desert arts festival, seeks volunteers to source, manage, and operate sound, for the stage of the fabulous Center Camp Café

The Center Camp Café, at 38,000 sq ft, is the largest structure on the playa (desert), It embodies the spirit of the event as the community center providing 24hrs of education, art, refreshments, performance and of course shade!

Our stage is dedicated to allowing event participants to express themselves through spoken word, live music, lectures, performance art, circus and dance.

We offer all levels of participation from a series of 4 hour shifts during the event to year round involvement of planning and working at Burning Man related events in the Bay Area.

The Café Sound Team is composed of members with diverse levels of experience and we welcome responses from all who are interested

Come participate in the most FUN ‘theme camp’ at Burning Man!

Please DO NOT reply to this posting!
Contact our Volunteer Coordinator marie(at)burningman(dot)com with any questions you may have.

posted in Live Sound and Event Production - 1 reply

how did everyone get started?

2005-04-14T14:17:15Z

That's what I want to know. How did you get started in this business?? And how did you progress to where you are now?

posted in Live Sound and Event Production - 4 replies

Resumes Now Being Accepted

2005-04-06T17:00:29Z

Resumes Now Being Accepted

A National Arts and Media job referral service and classifieds is updating its resume library.

Now accepting for free inclusion, resumes from talent, crew, designers, authors, staff, and management in the areas of music, film, theater, events, digital media, radio, tv, and the performing arts.

Resume inclusion is free, plus you will receive our free newsletter with industry news and career tips. Community of nearly 18 000 registered arts and media businesses, organizations, and professionals.

To list your resume please go to http://www.gigdirectory.net and click Sign Up in the left column, click Posting Instructions for important guidelines. Once in your account click Home for members notes and important use friendly tips.

Thank you

Resume Library

http://www.gigdirectory.net

posted in Live Sound and Event Production - 0 replies

Effects Projector Recommendation

2005-03-16T19:54:19Z

I'm looking into buying a liquid kaleodoscope (sp?) projector in the next week or two. Many of the ones I have seen at places like the guitar center are low quality, out of focus, cheap... Not the high quality crisp, clean image I have seen before. Doesnt need to be worth it's weight in diamonds, just not as bad as an american dj product.

Anyone have any recommendations of a specific brand and model to look for? Perhaps know a local place to buy one?

Thanks!

posted in Live Sound and Event Production - 4 replies

Talent, Staff, and Crew Call - National

2005-02-24T08:03:49Z

Talent, Staff, and Crew Call - National

NO EMAIL REPLY - PLEASE READ NOTICE BELOW

Gigdirectory.net is an online job referral service, resume library, community, and classifieds for the arts and media industries. In 2004 Gigdirectory.net received over 15 000 new registered users and served over 1 million page views, establishing itself as a highly active resource. In 2005 the focus is on contacting employers and forming a talent, staff, and crew pool worthy of national exposure.

Professional and intern resumes are being accepted for FREE inclusion in the Gigdirectory.net classifieds resume libraries. All arts and media talent, staff, crew, management, and design personnel in all areas of film, theater, music, live production, radio, digital media, fine arts, literary, and television.

To post your resume on http://www.gigdirectory.net for free....
1) Go to http://www.gigdirectory.net
2) Click Sign Up - left column - and register a new account.
3) Click Home and read posting instructions and user friendly site tips.

* Please review the Classifieds categories before posting *, and follow the posting instructions *; it makes the site more user friendly for everyone, plus others can find your notice in a search.

You Can Post Images (head shots, art samples, logos etc). All images should be clear, professional looking, and no more than 64 k each.

No Adult Industry talent notices, images, or resumes please. Gigdirectory.net does not have an over 18 rating and does have minors and parents viewing... Thank you for your respect.

If you get stuck please use the Help/FAQ link in the left column.

Please Note: Gigdirectory does have some areas and services that are subscription, but they do not affect your ability to post in the Classifieds for free. If you are curious you can view lists of grants, opportunities, events and other useful information through the Classifieds for free, and you can post your own shows, business ads, and workshops for for free.

PLEASE DO NOT EMAIL YOUR RESUME OR NOTICE - IT WILL BE DELETED - POST YOUR RESUME YOURSELF ON GIGDIRECTORY.NET - WE DO NOT ACCEPT RESUMES OR NOTICES SENT BY EMAIL - POSTING YOUR RESUME YOURSELF IS FREE ON HTTP://WWW.GIGDIRECTORY.NET

==================

posted in Live Sound and Event Production - 0 replies

New theatre/talent company starting.

2005-02-21T03:18:13Z

Hi.
I am starting a new theatre/talent company in the Los Angeles area.
This will give anyone who is a member of it, real publicity, even if you live far from L.A.
The idea is, to give all members of the company, advertising space in all the programs of all the shows that we do.
That will include, plays, modeling shows, and anything that we do.
If you are an actor, model, or someone who wants to get notice in the entertainment industry, then you can have your picture, bio, e-mail address, and more in every program.
That way, if you live far from Hollywood, or, are not in a show, you still get notice.
If you are a business, then you can take out advertising space, and become a member without paying membership dues.
I want a quality company, that gives back to the community, and one that brings customers to any business that is a part of this.
I LOVE the idea.
Entertainment and business have been very successful together for years, and advertising combined with people who have an eye for success, well, wins.
Please look at my profile at Myspace.com for more details.
profiles.myspace.com/users/9930867
OR send an e-mail to:
academyawards@excite.com
Thank you.
George Vreeland Hill.

posted in Live Sound and Event Production - 0 replies

Event Planning and Budgeting Workshop

2005-02-16T20:56:04Z

Event Planning and Budgeting Workshop

Professional tips and procedures on how to plan and budget a live show. A small investment which could save you hundreds or even thousands of dollars on your next gig. You will learn how to write a mini business plan for your show and how to calculate a budget so you know how many people at how much per head you will need and how to tweak your business plan and budget to make a profit. You will be taken through the actual steps of planning an event as if you were planning and budgeting a real show. A must for first timers and a few tips and new technology for old hands.

The workshop runs for 3 to 4 hours and includes digital media presentation, bonus free stuff, and tips for saving you money where possible, and using internet resources like online ticket sales and free mailing list management.

Wed March 9. 7 pm Onwards.

Where:
Studioz Gallery
1515 Folsom @ 11th
San Francisco

Cost is $36 if you register before March 1st. $50 if you register March 1st onwards.

Free for Gigdirectory.net Subscribers (Bring your Gigdirectory.net UserName to reception on the night.)

Book online http://www.acteva.com/booking.cfm?bevaid=82582
Or
Paypal.com to gig@gigslist.org (please also email a cover letter with your receipt number)
Or
Checks to Deborah Paulino
1621 Haight St. PMB 9
San Francisco
California 94117

Event Link: http://www.artintoindustry.net or http://www.gigdirectory.net

Facilitator Deborah Paulino:
25 Years experience in live events, BA in Festival Management, Freelance event and segment manager and promotions, and consultant. Notable Credits: Digital Be In, Bill Graham Presents, How Weird Street Faire, Earthdance, Ram Dass/Be Here Now, Summer of Love, Asscencion, ArtIntoIndustry.net, Gigslist.org, and many more.

Sponsored by Gigdirectory.net Arts and Media Classifieds. http://www.gigdirectory.net

posted in Live Sound and Event Production - 0 replies

Audio Theory Syllabus

2005-01-21T06:05:43Z

I need to train some people on basic audio theroy: Eqs, crossovers, speakers, ohms law, audio spectrum, sound waves, hearing, amplifiers, microphones, tape, electro magents, signal flow, etc. I can’t find my syllabus because I took these classes 10 years ago. Can someone direct me to a syllabus or something with some key points that I can talk about?

posted in Live Sound and Event Production - 1 reply

Dance club ass saver.

2004-12-30T18:49:44Z

If you are going to do a dance club.
Spec a front fill system.

Last nite the only crowd/pit PA was two mackie 450's.
They worked really well.

It might be hard to spec a cheap speaker. And yet most promoter rent dance clubs believing that the PA is included.

Personally I would spec a full-on mini-concert pa. The vibe of the concert and the people that influence future ticket sales are next to the stage. This vibe rolls back to the furthest corners of the whole culutral world let alone the club itself.
If the front rows are vibein' than the concert is a success.

And yet, most dance club PA's are "4-corner" affairs. with zero attention paid to the "stage" area.

One way to sneak in some sound without calling it a mosh-pit PA is to double up on the side fill.

Tell them the truth. Say that the artist jumps out into the audience and wants to hear the same thump that they hear from the monitors.

This will also help you get less complaints from the artist.

posted in Live Sound and Event Production - 2 replies

fire performance

2004-10-27T10:06:58Z

hello i belond to a fully insured fire performance troop based in C.A we do fire eating, fire breathing, fire staff, fire poi, fire wands, candle dancing and u.v light shows for indoor events.
we cater to all partys and events.
if anyone has any intrest please e mail me at
muckieha@yahoo.com

posted in Live Sound and Event Production - 0 replies

Who wants to earn some $$ Wedensady afternoon 8/11 in San Francisco?

2004-08-10T20:29:41Z

Hey y'all,

I do some sound but am by no means an expert - lighting's more my thing. My theater is having a concert series and my usual braintrust for sound turns out not to be available tomorrow, and it's important enough that I'd rather not wing it. We have a rehearsal/sound check tomorrow starting at 11, and if someone wants to come by our theater at Market and Van Ness and work with us for four hours or so, we'll make it worth your while - at least enough to pay your bar tab that night.

It's a simple set -up, small performance space, two or three mikes, vocals, piano, cello/guitar, a reverb unit, not much else. Like I said, I could probably handle it but the Powers That Be want to make 100% sure it sounds as good as possible.

Give me a call at 415-861-4914 if you're interested.

Thanks,
John Kelly

posted in Live Sound and Event Production - 0 replies

Help!!!

2004-07-08T21:00:21Z

OK, Here’s the situation:

My cousin is getting married at the end of July, and I have family coming out from the east coast, including my mom.

My mom asked me if my rock & roll band, Plasterkatz, could play in the east bay on Thursday night, July 29th, so all my east coast relatives, who will be staying there, can see us.

Plasterkatz is popular with a lot of places in San Francisco. We play places like The Hotel Utah, The Old Rogue, Hole in the Wall, Brainwash, Beale Street Bar & Grill, & Simple Pleasures. Just this month we’re playing 4 gigs in The City, but I have family members who are bridge/tunnel phobic & can’t brave the trip across the bay (I know – my relatives are freaks!). We really haven’t established any connections in the east bay, yet, and it being July already, most places are already booked on Thursday the 29th.

Does anyone know anyone - or know anyone who knows anyone that has a place - bar, café, club – whatever – where we can play on Thursday, July 29th? The stage would have to be big enough to fit 6 of us - full drum kit, and amps for the electric guitar, bass, mandola & mandolin and 5 mics. We have our own P.A. We’d just need electricity & room for us all. We can squeeze in fairly tight, though. We play great, fun, crowd pleasing music (mp3s at www.plasterkatz.com ), we have the sexiest harmonica player on the planet in our band, we have a following of people who will fill your place & buy your beer/lattes and/or food - and it would make my mom very happy.

You want to make my mom happy, don’t you?

Thanks,
Chris

posted in Live Sound and Event Production - 2 replies

Welcome to Live Sound and Event Production.

2004-03-05T20:04:33Z

I created this group because none of the existing tribes address what I feel is a need: A place to discuss how to put events together, how to make them sound good, and how to make them look good.

Feel free to use this as a place to discuss event planning, sound, lights, whatever.

posted in Live Sound and Event Production - 3 replies

Live Sound and Event Production's topics - tribe.net

Freelancer needed 4/18/2008, 4/20/2008, Southern VA Area

peavey kosmos vs. the kosmos v2

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Got A Gig ?

Pro Audio Repair in Bay Area?

Some SoundSystem Questions

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professional opinion needed concerning Earthquake subs

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Need some suggestions

Clean A.C.

Need advice - PC or MAC

I Need Sound Tech’s in the Bay Area

Techs needed for show at The COW Palace this November & December.

Introductions!

multi colored laser lightshow/lighting animated for concerts/clubs/special events/motion picture/film set design/effects and much more

Venue design

**ATTENTION** Sound Techs Needed Immediately for Philly gigs

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Burning Man

how did everyone get started?

Resumes Now Being Accepted

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New theatre/talent company starting.

Event Planning and Budgeting Workshop

Audio Theory Syllabus

Dance club ass saver.

fire performance

Who wants to earn some $$ Wedensady afternoon 8/11 in San Francisco?

Help!!!

Welcome to Live Sound and Event Production.

ATTENTION Sound Techs Needed Immediately for Philly gigs